mostlyuselessknowledge said: With the current volume of Powers drawing to a close with issue #12, what is the status of the title? Are you guys taking a bit of a break, with a new volume starting after? If you can't go into details, that's cool. I get it.

brianmichaelbendis:

Powers: Bureau number 11 is out this week

 12 will be out next month

 and then in December, just in time for the new powers TV show, comes the double sized, for regular price, powers number one. all new.

 in fact, here’s the brand-new David Mack variant cover two powers number one in December from marvel/icon

68 notes

shitlesssherlock:

The Ride by Rodolph Guenoden

Easily one of my favorite comic shorts.

1,236 notes

alexhchung:

Hitman pin ups by

  • Doug Mahnke
  • Glenn Fabry
  • Steve Dillon
  • Frank Quitely
  • Darick Robertson
  • Garry Leach

53 notes

brianmichaelbendis:

Unpublished Nightwing Variant Cover by Mike Allred

brianmichaelbendis:

Unpublished Nightwing Variant Cover by Mike Allred

(Source: xombiedirge)

1,379 notes

comicsalliance:

REVIVAL, REINVENTION, RESURRECTION: THE POWER OF GREAT SUPERHERO COSTUME DESIGN
By Andrew Wheeler
We live in a time of awesome superhero costumes in comics. The rise and rise of cosplay culture, the emergence of comic artists with a savvy understanding of fashion, and the slow diversification that’s making heroes palatable to a broader audience, have all contributed to a costuming culture with more to offer than capes and pants.
Superhero costumes have always been an asset to the industry, because iconography helps establish character and create a brand. But the value of costumes in reaching audiences and reinventing characters seems to be recognized now as never before, leading to the rise of artist-designers like Jamie McKelvie and Kris Anka, who don’t even need to be on a particular book in order to be called in to make-over the characters. This is a great leap forward in understanding just what a good costume can do — and the special skills required to do it.
READ MORE

comicsalliance:

REVIVAL, REINVENTION, RESURRECTION: THE POWER OF GREAT SUPERHERO COSTUME DESIGN

By Andrew Wheeler

We live in a time of awesome superhero costumes in comics. The rise and rise of cosplay culture, the emergence of comic artists with a savvy understanding of fashion, and the slow diversification that’s making heroes palatable to a broader audience, have all contributed to a costuming culture with more to offer than capes and pants.

Superhero costumes have always been an asset to the industry, because iconography helps establish character and create a brand. But the value of costumes in reaching audiences and reinventing characters seems to be recognized now as never before, leading to the rise of artist-designers like Jamie McKelvie and Kris Anka, who don’t even need to be on a particular book in order to be called in to make-over the characters. This is a great leap forward in understanding just what a good costume can do — and the special skills required to do it.

READ MORE

1,652 notes

comixology:

Great cover ever or greatest cover ever?

Wolverine really needs to be on a motorcycle more.

comixology:

Great cover ever or greatest cover ever?

Wolverine really needs to be on a motorcycle more.

88 notes

brianmichaelbendis:

Jessica Jones & Peter Parker (Alias #23, 2002)

  • Michael Gaydos (Pencils & Inks)
  • Matt Hollingsworth (Colors)

(Source: thebendisageofcomics)

428 notes